Ptarmigan existed as a project space in Vallila from 2009-2011 and a mobile curatorial/creative platfom until 2014. We no longer exist as an organised collective, but this website will continue to serve as an archive of the activities produced as Ptarmigan during these years.
Some of the people who were involved with Ptarmigan are now operating Temporary.
Ptarmigan presents duos of experimental and improvised music. Alfredo Costa Monteiro and Topias Tiheäsalo (from Portugal/Finland) will be playing electric guitars and electronic devices, objects etc. Current Ptarmigan Helsinki resident Ola Ståhl and the UK's Neil Chapman will perform the first part of WHATEVER HAPPENED TO KURT STEINER?, a two-part sound and performance work.
Alfredo Costa Monteiro (b. 1964 Porto, Portugal) is an artist/musician based in Barcelona. As an improvising musician he uses both accordions and electric guitars as well as turntables, electro-acoustic devices and resonant objects as his instruments. He studied sculpture/multimedia at the fine art school in Paris with Christian Boltanski. After having moved to Barcelona in 1992 his work has been standing somewhere between visual arts, visual poetry and sound. His installations and sound pieces, all of a low-fi character, have in common an interest for unstable processes, where the manipulation of objects as instruments or instruments as objects has a strong phenomenological aspect. He works together with musicians, video-artists and choreographers. At the moment he collaborates regularly with French improvisers Pascal Battus and Michel Doneda and Canadian electronics musician Tim Olive.
Topias Tiheäsalo (b. 1978 Raisio, Finland) is a guitarist working in the field of improvised music. On some days his music can be fragile, sparse, quiet, acoustic; the next day it might be hectic, dense, loud, electric – or something else. His only concerns are improvising and playing, which some might see as synonymous. In addition to his solo playing, he works in various groups such as Pymathon, Jooklo Quartet, SIR trio, and the Henologists. Recently he's been playing with people like Ilia Belorukov, Virginia Genta, Atte Häkkinen, Jari Kaukua, Tero Kemppainen, Sami Pekkola, Antti Tolvi, Jaakko Tolvi, Janne Tuomi and David Vanzan. Some of this music you could call free jazz, some free improv, some improvised thrash metal...
WHATEVER HAPPENED TO KURT STEINER? by Ola Ståhl & Neil Chapman
Drawing upon a wide array of sources and references ranging from concepts and notions extracted from the work of Deleuze and Guattari, to found photographs and stills from films, to images from sci-fi literature, WHATEVER HAPPENED TO KURT STEINER is a layering of recording and live presentation in two parts doubling and mirroring one another. Through various unlikely combinations of technology, live recording and superimposed playback, a limited set of themes and images are delivered with repetition and variation, exploring in the process a shifting sense of visuality achieved through synthesis of diverse means - text, performance, sound transmission, technology.
Ola Ståhl is a writer and sound- and performance artist based in Malmö, Skåne (Sweden). He also runs the chapbook imprint In Edit Mode Press. With a background in Art History and Cultural Studies, and an MA and a PhD from The University of Leeds, he used to teach on the Fine Art program at Central Saint Martins College of Art and Design in London, UK. Concurrently, he ran the "free school" project C.CRED / Collective CREative Dissent, operating as a platform for various collaborative art-as-research projects across Europe and the USA. Since the demise of C.CRED, he has been involved in several text and sound-based project, most of which are collaborations with other artists and writers. He is particularly interested in text based artistic practices; practices engaging interfaces between sound and text; practices re-using and re-cycling found materials; performative text- and sound practices (practices that "perform" rather than "argue" a theoretical position); performance practices drawing upon the experimental rendition of text- and sound material; and collaborative practices, particularly those that cross between media and disciplines.
During his residency at Ptarmigan, Helsinki, Ståhl has performed recent work-in-progress live at several occasions. Work presented include RANT, a reworking of Samuel Beckett's novel Molloy ; FILM (with Cassandra Troyan), a series of edits of a found auto-biographical manuscript ; and Whatever Happened to Kurt Steiner? (with Neil Chapman), a text- and sound performance loosely engaging with concepts extracted from the work of Gilles Deleuze and Félix Guattari.
Neil Chapman is an artist, writer and researcher. His work explores the materiality of text and textual practices, improvisation in performance and reading, visuality and its different forms, and the politics of collaborative working method. His recent publications include Glossolaris (London: AND Publishing, 2010), in which diverse literary sources are used to create a prototype science-fiction novel; ‘BLOODCRYSTALPOLLENSTAR’, written with Ola Ståhl for Deleuze and Contemporary Art (eds. Simon O'Sullivan & Stephen Zepke, Edinburgh University Press, 2010) implementing collaborative writing strategies to create narratives with implicit philosophical content; and ‘Two Interviews’ for a book entitled Materiality of Theory (ed. Dronsfield, Birmingham: Article Press 2011). Working with David Stent, Neil Chapman is currently producing a series of five pamphlets to be published as These Weak Kindnesses comprising parallel texts based on Max Ernst’s Une semaine de bonté (1929-33), and a book entitled The Müleskinders edited from contributions by invited writers, artists and philosophers. Neil Chapman lives in London where he teaches contemporary art, philosophy of art and critical studies.
This event is supported by the Institut Ramon Llull.